Two
more autumn poems.
By
James Wright.
From
the book The Branch Will Not Break (1963).
They can also be found in his collected poems, Above
the River.
I believe his poems, starting in the sixties, were
sometimes referred to as “pastoral surrealism.” He was very influenced by some
of the poets he translated (César Vallejo
and Georg Trakl,
most notably).
Reading some of the poems in this book is like
seeing something at the corner of the eye as you’re getting into your car in
the morning – a figure, a figure that wants to know you for some reason – then
turning, you see a tree, a juniper, all the blue berries bright and strange,
like curious eyes. You start the car, pull into the street, puzzled and
grateful at the same time…
Beginning
The moon drops one
or two feathers into the field.
The dark wheat
listens.
Be still.
Now.
There they are,
the moon’s young, trying
Their wings.
Between trees, a
slender woman lifts up the lovely shadow
Of her face, and
now she steps into the air, now she is gone
Wholly, into the
air.
I stand alone by
an elder tree, I do not dare breathe.
Or move.
I listen.
The wheat leans
back toward its own darkness,
And I lean toward
mine.
Milkweed
While I stood here, in the open, lost in myself,
I must have looked a long time
Down the corn rows, beyond grass,
The small house,
White walls, animals lumbering toward the barn.
I look down now. It is all changed.
Whatever it was I lost, whatever I wept for
Was a wild, gentle thing, the small dark eyes
Loving me in secret.
It is here. At a touch of my hand,
The air fills with delicate creatures
From the other world.
While I stood here, in the open, lost in myself,
I must have looked a long time
Down the corn rows, beyond grass,
The small house,
White walls, animals lumbering toward the barn.
I look down now. It is all changed.
Whatever it was I lost, whatever I wept for
Was a wild, gentle thing, the small dark eyes
Loving me in secret.
It is here. At a touch of my hand,
The air fills with delicate creatures
From the other world.
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