The story is semi/distantly/vaguely related to my Service Economy series. But don't let that put you off (if you're dedicated to capitalism). A vision of the near future, maybe tomorrow; the descent of someone living in the stratosphere (financially). Hedge-fund managers and apocalyptic angels. The usual.
In the US you can order a single digital copy of the issue from Weightless Books or subscribe directly to Interzone. You can also find copies in various bookstores around the US. Here in Santa Fe, it's available at Hastings.
Issue #258 (May/June 2015) includes work by T.R. Napper, Julie C. Day, Bonnie Jo Stufflebeam, and Malcolm Devlin. Brief snippets below.
a shout is a prayer / for the waiting centuries by T.R. Napper
illustrated by Warwick Fraser-Coombe
I’ll give you a roll of barbwire
A vine for this modern epoch
Climbing all over our souls
That’s our love, take it, don’t ask
“Any food?” asked Phuong.
“No food,” replied the woman.
“Rice, old rice, bamboo shoots. Anything.”
“I have a child. We haven’t eaten in two days.”
“We all have children. Here, take some water.”
Phuong reached out in the darkness, a smooth, cool wooden ladle caressed her hand. She fumbled for the bucket, filled the scoop with water, and held it out for her daughter, who grabbed it and slurped noisily. Phuong felt for Trung and passed the scoop to him. He rested his hand on her shoulder as he drank. Her skin tingled at his touch, familiar, yet always new. Then she took her turn, cracked lips and swollen tongue welcoming the cool stream of water.
The Re'em Song by Julie C. Day
illustrated by Jim Burns
Of course, leaving was easy.
“The same damned people, the same damn trees, even the same damn work, all our God-fearing lives. Do you really think we would have married if there’d been even a handful to choose from?”
Jaw bones and sections of vertebrae hung from the rafters of their house. Ribs and phalanges contained in carefully sewn skins were piled outside, waiting to be shipped off. And always there were the horns calling from somewhere deep in the woods.
Doors by Bonnie Jo Stufflebeam
illustrated by Richard Wagner
It had been three months since I’d taken my brother anywhere. The last place we’d gone together was our mother’s funeral. Since then Zack had been difficult, more so than usual, refusing to put on his shoes, shushing me when I asked him to do his chores, even screaming and pounding his fists when it was time to drive him to the recycling facility where he sorted paper as part of a program for developmentally disabled adults.
Angel Fire by Christien Gholson
1: Newark to St Louis
35,000 feet over Pennsylvania and we’re finally above the brown film of smog that enshrouds the east coast. To the west, billowing up out of the white horizon, I can see a thousand-armed dancing Nataraja, braiding his hands into a slow-turning column; a cumulo-castle thousands of yards wide.
I am that thousand-armed shape-shifter. My wealth has been created out of thin air – hedge funds, arbitrage, global macro strategies; jargon and numbers in the ether. My kind doesn’t actually do anything. There’s no product: no violin crafted, no corn grown, no poem created, no pipes plumbed, no cement foundations poured. The stupid bastards back in the cheap seats haven’t a clue.
Her First Harvest by Malcolm Devlin
illustrated by Vince Haig
Nina’s dress was made from synthetic silk; it was a pale silver grey which shone even in the thin phosphor lighting of Aunt Caroline’s dressing room. Nina stood side-on to the mirror and twisted so she could see her back more clearly. The dress hung open from her shoulders, sweeping down in smooth symmetrical curves to meet in a discreet bow above her waist. Her exposed back struck her as looking unhealthy and pale in the thin blue light; her crop was barely more than a thick rumple of texture across her skin. It looked barely more valuable than heat rash.