The first poem below arrived while I was working at the now defunct Border's Books & Music chain. A girl around seven or
eight came up to the register, slid a CD across the counter. I picked it
up: The World's Most Beautiful Melodies! Sure, it was one of those cheesy repackaged CD's by some fly-by-night label, but I immediately thought what could they possibly be if it were true? All for only $3.99.
For The Girl Who
Came to the Cash Register with the CD Entitled The World’s Most Beautiful Melodies
What can they be?
The record of a sea-creature,
half-woman,
half turtle, floating
in the surf, tuning it’s eyes to the sea?
Or the rain,
drumming
the branches of a tulip tree,
in a
forest long gone, torn down, locked
inside the mind of a poet
walking an empty corner of the Paris Metro, lost.
Or
the scrape
of
beetle legs against cardboard
(song of cement-dust falling softly onto
clay tile:
jagged stones
coupling
on the bank of a jagged stone river,
no water in sight).
And there is a man
putting a dead sparrow out to dry in the
sun,
waiting for the ants to eat their way down to
the source.
When they are done,
he will take up the paper-light wing
bone,
cut three holes in it with a grass blade,
and blow…
***
Sure, it's an odd choice of what 'beautiful melodies' might be, but being odd is the joy of being on this earth, yes? Revel in it.
The second poem arrived during a blizzard year in Iowa. I had a crap car. To make sure that I got to work in the morning when the temperature dropped below zero (Fahrenheit) I had to start the car up around 3AM. It's about work and time. Why are most of us trained to accept that the natural order of things is to spend most of our lives doing something we don't want to do?
I think it's apt to quote William Morris here:
"It has become an article of the creed of modern morality that all labour is good in itself; a convenient belief to those who live on the wealth of others."
The second poem arrived during a blizzard year in Iowa. I had a crap car. To make sure that I got to work in the morning when the temperature dropped below zero (Fahrenheit) I had to start the car up around 3AM. It's about work and time. Why are most of us trained to accept that the natural order of things is to spend most of our lives doing something we don't want to do?
I think it's apt to quote William Morris here:
"It has become an article of the creed of modern morality that all labour is good in itself; a convenient belief to those who live on the wealth of others."
Cold
three AM, four AM Time
to lace up the
boots, creak of powdered snow
under the soles five dollars an hour, six
dollars an hour seven Force open the frozen car door,
slip
behind the wheel eight hours a day, five
days a week Through the crystal windshield
a hooded figure moves porch to porch,
clutching
a
plastic bag to pass through these hours,
so desperate
for
them to end Can’t
shake this dream. Turn the key
there is
a life out there, there is a life –
the way the
dandelion releases its seed
when you whisper the right
word The car
moans
to life. Come dawn, I can make it to work.
(previously published in Hanging Loose
Magazine)
***
All true. Hooded figure included. No symbolism required.
The last poem is one of the first I ever wrote. It may be the first, writ back in the foggy ruins of time, Northeast Philly, when the world was young and pretty. I think it's self-explanatory.
The last poem is one of the first I ever wrote. It may be the first, writ back in the foggy ruins of time, Northeast Philly, when the world was young and pretty. I think it's self-explanatory.
Work
Old man beckoned with an index finger
Wandered across his yard
Boots sunk in wet grass
Said he needed help
In his dark garage lifted a bag of cement
He thanked me
Left his driveway
Left wet boot prints
Never said a word
Never saw him before or since
Most honest work I ever did
(previously published in Lilliput
Review)
C: A beautiful confluence of poems. If anything, this little post might stand against the tide knelling the death of Labor Day.
ReplyDeleteEvery word you write opens my mind, twists the images I'm used to seeing and taking for granted into different shapes with new meanings and possibilites. I leave the page seeing things differently, sometimes a little, most often a lot. Thank you.
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